This piece belongs to the After White collection, the moment when fabric begins to gather colour again.

These scarves were once deadstock Kala cotton, set aside and close to being discarded.

Instead, they were saved and brought back into the hands of artisans who work with natural plant dyes.

Using indigo, madder, pomegranate, and earth pigments, each scarf was dyed slowly by hand, creating quiet tones of blues, reds, and yellows.

No two pieces are identical.

Each carries the softness of Kala cotton and the irregular marks of hand dye.

Only 49 scarves exist in this collection.

What was almost waste now carries colour again.

This piece belongs to the After White collection, the moment when fabric begins to gather colour again.

These scarves were once deadstock Kala cotton, set aside and close to being discarded.

Instead, they were saved and brought back into the hands of artisans who work with natural plant dyes.

Using indigo, madder, pomegranate, and earth pigments, each scarf was dyed slowly by hand, creating quiet tones of blues, reds, and yellows.

No two pieces are identical.

Each carries the softness of Kala cotton and the irregular marks of hand dye.

Only 49 scarves exist in this collection.

What was almost waste now carries colour again.

This piece belongs to the After White collection, the moment when fabric begins to gather colour again.

These scarves were once deadstock Kala cotton, set aside and close to being discarded.

Instead, they were saved and brought back into the hands of artisans who work with natural plant dyes.

Using indigo, madder, pomegranate, and earth pigments, each scarf was dyed slowly by hand, creating quiet tones of blues, reds, and yellows.

No two pieces are identical.

Each carries the softness of Kala cotton and the irregular marks of hand dye.

Only 49 scarves exist in this collection.

What was almost waste now carries colour again.

This piece belongs to the After White collection.

The moment when fabric begins to gather colour again.

These scarves were once deadstock Kala cotton, set aside and close to being discarded.

Instead, they were saved and brought back into the hands of artisans who work with natural plant dyes.

Using indigo, madder, pomegranate, and earth pigments, each scarf was dyed slowly by hand, creating quiet tones of blues, reds, and yellows.

No two pieces are identical.

Each carries the softness of Kala cotton and the irregular marks of hand dye.

Only 49 scarves exist in this collection.

What was almost waste now carries colour again.